outwardly, inwardly

Saturday 25 February 2006

A whole month has passed since I last wrote. I’ve been working in three different directions which, on reflection, is not helping. It’s just been too darn cold to be out in the shed knocking up some curved panels so I’ve set that particular idea aside. Instead, I’m exploring the idea of semi-transparent, skin-like paintings which could be stretched, hung, suspended in a middle space.

I must face facts: I’m obsessed with the hidden history of surfaces, so this has instigated a need to look through, beyond – produce something more obviously layered, more illusory depth, a sense of transience, of passing through. The first image here (a detail) evokes the striations of ploughed fields and the the muddy imprints of traffic. The downside is that I am using stretched plastic which slows the surface drying. At some point they will be released from the backing, after which I can experiment with bending, curving, etc.

textured painting on plastic

One of eight mud-like paintings – actually it’s chalk mixed in with acrylic metallic paint on plastic. At some point, I will release it from the polythene backing -the acrylic adding some pliability so it’s less brittle…

textures painting

[close up of another coated ‘plastic’ painting; this is backlit and around 40cm square]

And here are some of the smaller textured panels that I have started…

mixed media on panel

[these are 23cm square and 5cm deep]

mixed media


mixed media painting

[another close up of textures…]

They appear to have evolved into heavily eroded and patinated surfaces which resemble a reality – believable and yet entirely faux. These are the details I would discover (as found paintings or photographs) – in the rot of a wooden fence, a derelict outbuilding, discarded, corroded objects. Having now photographed them, they have ceased to be just images of paintings, but further investigations into surfaces – photography through process validating or making a new artwork, or a documentary realism in a similar manner to my found paintings.

I also took some close-up polaroids of them, all of which came out slightly blurred with a blue hue… I will have to scan them soon and see what results…

3 thoughts on... outwardly, inwardly

  1. Santania Cortez

    Hi! Your works are very unique but beautifull with all the textures and colors. Are they ceramic sculpture? I do like reading your journal but perhaps you could explain your special texchniques. Thank you.

  2. monica

    I just love your work. I tried to write you on the other address but it came back to me. if you read the comment can you please write me on the address above regardind an interview request. Thanks and congratulations for your work.

  3. Edith DeChiara

    A friend artist just called and informed me that she found the artist that must share my DNA.
    I love your work and your concepts.
    Please check my website edithchiaracom to see if we do share the same DNA. If so, we should be sharing ideas and communicating.

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