Monthly Archives: July 2010

rebirth at Art1821: a private view

Saturday 31 July 2010

i received some photographs of the rebirth exhibition at gallery art1821 in the e-post today…. would you care to take a look?


please mind your head on the low beams…


fabulous dogwood sculptures by barbara leaney, referencing the natural environment and the interstellar world…


one of my abstract paintings, the edgescape rost


looking back through the main gallery space; shaun caton’s paintings are on the far wall…


another one of my edgescape paintings, corros, surrounded by two framed works by veronica grassi – note the whitewashed, cobbled wall…


a full-on view of corros; there are surprising similarites in both colour and texture between my work and veronica’s… and more evidence of those cobbledy, flinty walls..


veronica’s work on the other end of the wall; also shown are two small works by sahoko aki

i don’t have a list of works so can’t supply information on medium and titles – there is much more to see in the exhibition; this is just a small snippet…

rebirth: an exhibition celebrating Japanese aesthetic, in collaboration with the Unearthed exhibition at the Sainsbury Centre for Visual Arts, at the gallery Art 1821 in norwich, from 29 July to 8 September 2010.

the gallery art1821 is situated in the cellar in one of norwich’s finest medieval buildings, augustine steward house in tombland, reputedly built circa 1549.


[image found on flickr]

please visit the Art 1821 website for more information on the rebirth exhibition…

last chance to seetextures, traces & elements at beyond the image gallery – the exhibition closes at 4pm on sunday 1st august 2010…

coming up: the 11th annual Artworks exhibition at blackthorpe barns, 11 September to 3 October 2010 … and guess what, i will be hanging my work on yet another medieval flint wall…

Artworks is an established group of thirty professional East Anglian visual artists, with the environment and mankind’s impact on it as the broad theme of the 11th Annual exhibition…

more grey sky thinking, out of the blue

Friday 30 July 2010

more cloud gazing this week, torrential rain all day on tuesday (a typically british summer’s day) – this was the view from the window at about 6pm…

electricity power lines outside a window, with cloudy sky
a room with a view

i hadn’t really noticed how prominent these power lines were before; my days must be slowly draining of any meaningful structure if i get distracted by this visual discordance with nature’s billowy curtain… today when i awoke, i did, for a brief moment, wonder what day it was, whether it was saturday already, and that a day of more domestic to-do-tasks await me, tasks which fuel so little enthusiasm as to be remotely filed and archived for just such rainy days

in the manner of these featureless, grey days i have been feeling somewhat melancholic in heart and the vast canvas of the sky seemed to be a reflection of the reality of recent events…

thus, i have not been motivated to paint much, well perhaps for an hour or so, here and there, when the mood takes. it seems too self-indulgent to ‘just paint’ when real-life concerns pile up like the laundry, and then there has been the issue of the quality of daylight

here are a couple of close-up images of one of my current paintings, lichenscape II (a work in progress), taken earlier on today…

lichenscape ii - abstract painting - lichen textures detail
detail of the surface of the painting, lichen on stone textures

i had a rash moment of destructive thinking when evaluating this canvas (perhaps inspired by these photographic reframings, seeing paintings within paintings), deciding that i might cut up the canvas into nine smaller ones – the lack of a decent-sized studio space to work in is almost unbearable at times…

i have found that in attending to these two large canvases (aka the lichenscapes) it has clouded my creative process – i realise that i am trying to condense into these two paintings a subjective concern which would be better pursued over eight or ten (or even more) paintings. myriad other thoughts (too nebulous to be proper working concepts or ideas) also run daily through my mind, and then i have to remind myself to just focus

lichenscape 2 painting - detail of surface textures
another detail of the textured surface of a lichen-esque painting

exhibition news

yesterday evening i attended the private view of the exhibition rebirth. lorraine cooke, the curator of the exhibition, has done an amazing job in bringing this show together. i feel most privileged to have some of my paintings included in this art exhibition.

i realise that i am still reticent in ‘working‘ the private view scenario, as i slowly perused the exhibition on the opening night – this is probably due to: a) being very slight and thus am always less ‘visible’ in a busy gallery crowd, and also b) a (now) love/hate relationship with my new dr marten boots. i walked to the gallery from the train station and worked up some fine blisters – such small injuries can really be the breaking of the spirit.

i also met and chatted with the artist veronica grassi – she has some quite beautiful textural, sculptural pieces in this exhibition. barbara leaney’s dogwood sculptures are also quite spectacular, as are the smaller, detailed works of the contemporary japanese artists included in the show. i urge anyone passing through the fine city of norwich to go and see the exhibition at gallery art1821 – it is open until 8th september 2010 – you can also read more about the rebirth exhibition on art 1821’s website

to further the idleness of my daily musings and observations, dear reader, may i introduce to you my humble sketching kit? (i always like to travel light, a habit instilled in me since my inter-railing journeys across europe)

winsor newton cotman sketchers watercolour box
my winsor & newton sketchers’ box of watercolours

very small jam jar for sketching watercolours
a tiny tiptree jam jar (for water)

assorted sketching pencils derwent and caran d'ache
an assortment of stubby sketching pencils, mostly derwent & caran d’ache

and here is a composite image of my sketchbookiness of the last few days, 21-29 july, 2010…

sketchbook pages - studies of clouds and skies, late july 2010
skies and clouds sketches

sketchbook drawing - study of a grey cloud
monday, mid afternoon, looking east across fields towards marshes, high up in the sky, grey centre… in graphite, pencil and watercolour…

sketchbook drawing - more skies and clouds
wednesday, early afternoon… looking east, cooler, bright, clouds moving fast… in graphite and pencil…

sketchbook drawing - study of an afternoon sky
thursday, late afternoon, slim, dark clouds moving laterally, about 5pm…

this is becoming slightly obsessive; i have a mild desire to master the morphing art of the east anglian skies…

and i penned another haiku style poem, or my own ode to a cloud

a cloud
tarnished silver
darkening the weeping willows

i am now thinking of joining the cloud appreciation society, whose pledge is to fight the banality of blue-sky thinking

see my cloud drawings animation from last year: the art of idleness

last chance to seetextures, traces & elements at beyond the image gallery – the exhibition closes at 4pm on sunday 1st august 2010.

The real voyage of discovery consists not in seeking new landscapes but in having new eyes.

Marcel Proust (remembrance of things past)