Jazz Green : fine artist. Artist journal, a blog, musings on art, an artist's perspective.

21/07/08 Art for sale
16/07/08 Of snakes and ladders
13/07/08 My life, in colour
06/07/08 Homes and Interiors
22/06/08 Go see, go elephants!
07/06/08 Shades of grey
01/06/08 Manmade in Britain
30/05/08 A modern post artist
18/05/08 No oil painting
10/05/08 One green bottle
05/05/08 Art for Elephants!
30/04/08 Rule of three
27/04/08 Found sculptures
26/04/08 This week I...
24/04/08 28 Days Later...
23/03/08 Of a deviant nature
22/03/08 Easy on the eyes
12/03/08 Seeing sense
25/02/08 About-face, about books
02/02/08 Green light, grey matter
12/01/08 A philosophy of decay
08/09/07 Castles made of sand
30/08/07 So much beauty in the world
29/08/07 Cross-eyed and cross words
28/08/07 Sublime Decay
22/08/07 Visual Distillations
19/08/07 Mishaps and misunderstandings
22/07/07 Art for offices
20/07/07 Smoke and mirrors
08/07/07 Notes to self
18/06/07 Variants on a theme
09/06/07 Solitude and other brief encounters
13/09/06 Vivid impressions
26/07/06 Perception, memory, insight
22/06/06 Curiouser and curiouser!
13/06/06 A show of colour
22/05/06 Passing Places - Part Two
05/04/06 Passing Places
27/03/06 Lost and Found
25/02/06 Outwardly, inwardly
22/01/06 Frugal Measures
22/12/05 Through a lens darkly
19/12/05 Dear Artist
06/12/05 A bird's eye view
01/12/05 Beware of banality
26/11/05 For seasons and reasons
23/11/05 It's been a busy week
19/11/05 A short walk to freedom
17/11/05 Strains, gains and automobiles
16/11/05 Welcome

 

Jazz's Journal
Tue, 28 Aug 2007
Sublime Decay
It was back to the day job today - a day in which I had interesting conversations with two different colleagues - two who separately declared themselves not to be artists but their artistic interests and opinions were as valid as any professional artist I have met. One had visited my website and was interested in my photography and complimented me on my style of writing. He then talked of taking photographs of old shed doors and the ripples in mud flats. My other colleague asked me at what point I had become interested in all things weathered and rotten(!) to which I replied it is really sublime decay, a sense of seeing a reflection of one's own mortality in all living and dying things - a need to seize the moment or vision, for tomorrow it be no longer be, look or feel the same. The passage of time is an elusive but relentless force, forever retreating into its past, framed only by our memories of it (perhaps helped by writings, images, objects). Time ahead, although perceptible, will still throw up some unforeseen event - prediction or foresight is not a science. Of course, sublime means something which inspires awe or wonderment, perhaps leading to a spiritual enlightenment or personal insight - and so why not the ripples in mud, evidence of other powers at work - an image which will be erased by the following day. My other colleague had taken a number of photographs of fire jugglers and moving lights at a festival (I hope he took my advice of sometimes shooting from the hip) and it caused me to think back to my own light drawings, images which I had never thought to post here as I couldn't see any obvious connection to my other work. I am not sure that they are at all sublime, but they cannot be captured again - like mist, rainbows or vapour trails in the sky, captivating yet intangible, a beauty seemingly devoid of actual substance. The image displayed here was the best of many attempts to draw a star at night time. I think in truth, its visibility was born out of a process of decay - wisp-like forms slowly weakened, furiously burning through a phantom trail of its own making; I just enabled its geometry with a slow-exposure....


(click to view)



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