Jazz Green : Artist Journal

Posts tagged ‘stripes’

on hoping; it’s a pony

June 4th, 2010

it’s been about twenty five years since i decided i would be an artist… twenty five is a relevant number today (wikipedia helpfully defines it as ‘the natural number following 24 and preceding 26‘)…

in the year 2025 i hope i will still be working as an artist, living in a very big house, making very big work in a very big studio, in the country… but things may work out differently…

Zager & Evans – In the Year 2525

In the year 2525, if man is still alive, if woman can survive, they may find…

i have been thinking alot about art, money and really making it as an artist this week (future finances and other ideas)… because my current teaching contract ends in a couple of weeks…

however, i will have some new work in two exhibitions for the duration of  july – firstly, i have had four small works selected for a curated show, NCA2010 @ The Forum, and then there will be Textures, Traces & Elements (with mixed media artist Hazel Bignell & ceramicist Carol Pask) at the Beyond the Image Gallery – which is in the heart of the historic Thornham Estate (a fantastic setting – lots of trees, nature, walks)… but more on those two events nearer the time… sometimes i fancifully imagine that as i write this that maybe some real people will eventually read it out of interest – apparently my blog spam widget has saved me from over 1000 spam comments since November 2009 (when i switched to wordpress)  - but i find just putting up images and text is actually (or will be) quite interesting for myself to read in the future…

in the meantime i’ve decided that i really need to have a bit of a ’studio clearance’ of my recent series of small abstracts on paper, to settle up so to speak… i have to wind down etsy (it is not so good as a selling venue for abstract painters i have decided – well if you are a little British artist on a big American site – having to constantly relist items to get any visibility – the costs really mount up after a while) – and instead focus on doing other things closer to home… but it has been brilliant having some of my small works on paper fly across the little pond…

shown here are twenty of the twenty five abstracts currently for sale, at twenty five (that’s in uk pounds), and are about twenty five in grams (in weight, give or take)… these little paintings work best when seen as part of a series… they still explore my fascination with weathered surfaces (traces of history contained and controlled), but in a more colourful, condensed, ordered and sequential way… please click the thumbnails or scroll down to view more details of these paintings…

Art for Sale
JazzGreen

you can also contact:
contact artist
if you are interested in purchasing any of these paintings directly…

if you cannot see the above grid of thumbnail images (it originates from etsy and it requires ‘flash’ to see them), here are some static images (click to view these paintings larger)…

random reminiscence: i once took a car for a joyride, a toy pedal car that is, a very smart, bright, shiny red car… i was probably about five or six years old and it was the summer holidays as i recall… the car was just parked up (abandoned at teatime) on a lawn outside a large grey-brick house, shaded by trees… i thought i’d take the little red car for a little spin up and down the pavement for a while (a totally irrational act of thrill-seeking) – i think i may even have driven it home, with an unlikely story about just ‘finding it’… it was a very naughty thing to do but it was the most exhilarating drive for a girl; i never really liked ponies…

a pony is a small horse (naturally), but it is also slang for £25 and also cockney-rhyming slang for crap

pirating the caribbean

February 4th, 2010


[trinidad 2010, hand-coloured collagraph on paper on canvas]

Trinidad has become the working title for this small abstract on canvas, as returned by an analysis & association of colour values (read more about my colour values)… the vibrant stripes do seem to echo the colours of carnival, and the structures of the makeshift tin and brick settlements or shanty towns of the Carribbean, places which, despite their obvious veneer of poverty, still resonate with a resourceful and determined spirit.


[trinidad, another view]

This is a photograph of the Laventille hills in the Port of Spain, Trinidad.

If one only chooses to see the poverty and crime associated with these supposed slum settlements of the Carribbean, then one would also miss out on witnessing the cultural homeland of carnivalcalypso music, and the uplifting rhythms and beats of steelpan bands…

Back in June 2003, I took this photograph of the neighbour’s old tin shed (which backed onto the boundary of our two gardens). Shortly after, the (then new) neighbour took down the delapidated shed. I remarked at the time that I quite liked seeing the rusty facade of the shed (from my side), to which he replied:  ’ah, you must be an artist’.

However, the neighbour, being a resourceful diy type, re-used what was salvagable from the wreck, and parts of it later re-appeared as a boundary fence at the bottom of the garden. So, I am still able to marvel at the myriad colours of rust in the metal corrugation, a found painting that I can see day after day.

two of my farmscapes… [december 2009]

farmscape - abstract stripes painting on canvas

abstract canvas - stripes painting

and two of my photographs… [march 2008]

textures - abstract photograph

abstract photograph - textures

all images courtesy of the artist…

it doesn’t hurt to give some credit to the original sources…