Jazz Green : Artist Journal

Posts tagged ‘sketchbook’

more grey sky thinking, out of the blue

July 30th, 2010

more cloud gazing this week, torrential rain all day tuesday (a typically british summer’s day) – this was the view from the window at about 6pm…


a room with a view

i hadn’t really noticed how prominent these power lines were before; my days must be slowly draining of any meaningful structure if i get distracted by this visual discordance with nature’s billowy curtain… today when i awoke, i did, for a brief moment wonder what day it was, whether it was indeed saturday already, and that a day of to-do-tasks might await me, tasks which fuel so little enthusiasm as to be remotely filed and archived for just such rainy days…

i am now aspiring to be a full-time, working artist after receiving written confirmation of the non-continuation of the day job contract (a sad sign of the times) – perhaps it is for the best, every cloud has a silver lining, or is that silver-toned..? in the manner of the featureless, grey days i have been feeling somewhat melancholic and the vast canvas of the sky seemed to be a reflection of the reality of recent events…

i have an appointment next week to get some business advice and hopefully formulate a plan… thus, i have not been motivated to paint much, well perhaps for an hour or so, here and there, when the mood takes. it seems too self-indulgent to ‘just paint’ when real-life concerns pile up like the laundry, and then there has been the issue of the quality of daylight…

here are a couple of close-up images of lichenscape II in progress, taken earlier today…


detail of the surface of painting, lichen on stone textures

i had a rash moment of destructive thinking when evaluating this canvas (perhaps inspired by these photographic reframings, seeing paintings within paintings), deciding that i might cut up the canvas into nine smaller ones – the lack of a decent-sized space to work in is almost unbearable at times…

i have found that in attending to these two large canvases (the lichenscapes) it has clouded my creative process – i realise that i am trying to condense into these two paintings a subjective concern which would be better pursued over eight or ten (or even more) works… myriad other thoughts (too nebulous to be proper working ideas) also run through my mind, and then i have to remind myself to just focus…


another detail of the textured surface of a painting

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yesterday evening i attended the private view of the current exhibition rebirth. lorraine cooke, the curator, has done an amazing job in bringing this show together, i feel most privileged to have some of my work included in it. i realise that i am still reticent in ‘working‘ the private view scenario, as i slowly perused the exhibition – this is probably due to a) being very slight and thus am less ‘visible’ in a busy gallery crowd, and, b) a (now) love/hate relationship with the new dr marten boots; i walked to the gallery from the train station and worked up some fine blisters – such small injuries can really be the breaking of the spirit.

i also met and chatted with the artist veronica grassi – she has some quite beautiful textural, sculptural pieces in this exhibition. barbara leaney’s dogwood sculptures are also quite spectacular, as are the smaller, detailed works of the contemporary japanese artists included in the show. i urge anyone passing through the fine city of norwich to go and see the exhibition at art1821 – it is open until 8th september 2010 – you can also read more about the rebirth exhibition on art 1821’s website…

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to further the idleness of my daily observations, may i introduce my humble sketching kit (i always travel light, a habit instilled in me since inter-railing across europe)…


my winsor & newton sketchers’ box of watercolours


a tiny tiptree jam jar (for water)


an assortment of sketching pencils, mostly derwent & caran d’ache

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and a composite image of the sketchbookiness of the last few days, 21-29 july, 2010…


skies and clouds sketches


monday, mid afternoon, looking east across fields towards marshes, high up in the sky, grey centre… in graphite, pencil and watercolour…


wednesday, early afternoon… looking east, cooler, bright, clouds moving fast… in graphite and pencil…


thursday, late afternoon, slim, dark clouds moving laterally, about 5pm…

it is becoming slightly obsessive; i have a mild desire to master the morphing art of the skies…

and i penned another haiku poem, or an ode to a cloud…

a cloud
tarnished silver
darkened the weeping willows

…

i am thinking of joining the cloud appreciation society, whose pledge is to fight the banality of blue-sky thinking…

click here if you would like to see my cloud drawings animation from last year, the art of idleness…

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last chance to see… textures, traces & elements at beyond the image gallery – the exhibition closes at 4pm on sunday 1st august 2010

The real voyage of discovery consists not in seeking new landscapes but in having new eyes

Marcel Proust

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on thinking, clouds in a sketchbook

July 24th, 2010

i have had my head in the clouds again, a mild attack of the vapours… the heavy rains came (more of a deluge, really) and then swiftly went away giving us brilliant blue skies for a day or so, but then those rain clouds gathered ominously again…


[sketchbook pages, july 2010]

these are some small sketches from the last few days, all completed during the course of travelling to places – by humble bus, no less. it’s a surprisingly bumpy ride by bus in the countryside – the pencils which i thought were securely retained in a pencil case threatened to jump overboard and skittle across the floor of the bus, as one did, but luckily the bus was close to empty…

n.b. all of these sketches are all 14cm x 20cm.


some rain clouds… i guess they are cumulus… with a peek of sky blue…

this is my favourite sketch of one day’s travelling, a brief glimpse of rainfall in the distance (or perhaps it was just the sun’s rays as seen through water vapour after a rainstorm), sketched on the return journey…

here is another one completed around lunchtime… it was bright and breezy with some sunshine, the clouds gathered up (so to speak) and it was ‘looking like rain again’…

here is another sketch from earlier in the week (a single, small grey cloud, amongst the white fluff, that caught my eye). i had, to save some money, decided to draw on both sides of the paper in my sketchbooks – but i have noticed now how the fugitive nature of graphite has transferred tones between the sketches, thus unintentionally clouding the drawings still further…

perhaps these incidental smudgings of graphite add a little life to the process..

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there seems to be no desire to use these sketches as part of a preliminary process for painting – i think they will feed into my painting in other, less obvious ways…

artists sometimes use photography to record the details of things, as visual references for their work, but plein air drawing (or as seen through a window in these instances) as a process has its own sensibility – one that is exploratory and purely responsive, of the moment, of making brisk marks in real time, marks that have no definitive end…

i have, i think, a bit of a sketchaholicism when it comes to travelling (when not driving). there is the time and space to just gaze, to drift into momentary vistas, spied for perhaps only a few seconds. this inspires a loose, gestural style of drawing that i continue to work into for a few minutes, with the landscape or sky still there to refer to outside the window, slowing shifting in its perspective… this creates an immediacy and vitality of drawing, which if one were ’still’ might produce a more technically-laboured outcome as one wrestles with capturing the singular ‘view’. here, in these sketches, the most time i spent on a sketch would be three or four minutes… i look, i draw, i memorise – perhaps it is a form of (re)training,  for the eyes and the visual memory, to hone one’s perception, to be more receptive and impulsive in drawing what one sees… and i like the self-imposed restrictions of drawing on the move…

for a little contextual reference it would be churlish not to mention suffolk-born john constable and also jmw turner for their studies & sketches of skies and clouds. constable and turner were contemporaries, born only a year apart, with perhaps some rivalry if not open hostility towards one another at the time. three of the studies below are from the period 1822-23… perhaps the industrial, revolutionary smogs of those times made turbulent skies into art…?

it also begs the big question, who’s the master of the skies, constable or turner?… constable appears to offer a deeply respectful, naturalistic view of the environment (rising metaphorically from the dark shadows of the industrial revolution), whereas turner immerses himself (and us, in turn) in the subjective nature of the elements as a means to reach the landscape of the sublime…


John Constable, cloud study, circa 1822. oil on paper, 476 x 575 mm


John Constable, study of clouds, 5 september, 1822. oil on paper, 298 x 483 mm

what is most interesting in constable’s studies is how they give an insight into his process. his often detailed annotations seem to offer some evidence of the influence of the advances in science during the age of enlightenment, although i am sure that romantic painters such as constable would have been a little sceptical.

constable produced many preparatory studies and the final paintings were then completed in the studio – the most famous, the haywain, was actually completed far away from the suffolk valley it depicted, in hampstead, london. he was truthful to the spirit of nature as he perceived it, a deeply nostalgic and poetic vision of landscape, at a time when the real countryside bore the traces of a mechanised agriculture. i wonder if back then his paintings were just seen as aspirational manifestations of a rural idyll existing only in the mind – he once said of his clouds that they were ‘the chief organ of sentiment‘ in his paintings…


JMW Turner, storm at sea, circa 1822-3. watercolour on paper, 178 x 257 mm


JMW Turner, study of clouds, with a shower passing over water, circa 1826-32. watercolour on paper, 307 x 487 mm

you can view turner’s sktchbooks online at the tate…

constable is undoubtedly the better painter of real skies but turner captures the essential, intangible beauty of the ethereal elements. turner seems to delight in the deft touch, the merest suggestion of colour in atmospheric movement, of a fresh breeze or a sea mist rising. this is meteorology without the boring science bit. these are not absolute recordings but sensory responses and turner’s later paintings always remind me that less is often more.

i find the implied sensitivity in these small studies most fascinating when what we know of turner’s personal life is that he was often brash and, how shall we say, a tad unrefined in demeanour, but, let’s not spoil the painterly magic. turner’s magnificence as a painter and his influence on modern art is undeniable – as rothko once apparently said, ‘this man Turner, he learnt a lot from me‘. sometimes, i can’t help imagining that if turner had just cleaned his brush on a scrap of paper it would be later viewed as yet another sketch of a storm at sea… constable, i think, would not have been so carefree…

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lastly… i just penned a quick haiku style poem, in honour of some fluffy white clouds…

reigning clouds
sometimes flirt a little
when spurning summer’s heated advances…

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framing june [in a sketchbook]

June 21st, 2010

some sketches of some local views, in the course of cycling to places… it pays to set off early, so as not to be too late.. these sketchbook drawings are 29cm x 10cm…


[small copse and wheat field - light rain from the north, quite breezy...]


[a lane and a meadow, ox-eye daisies swaying in the breeze]


[field on a hillside, with black crows gathering]


[same hill, the adjacent field, no crows]


[field, farm and outbuildings, with three poplar trees...]


[remains of a hedgerow, with tree stumps and wheatfield beyond...]


[view across the valley towards marshes, barley fields, with church in distance...]


[top of the lane, wheatfield and a small thicket...]

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The website of British Fine Artist Jazz Green MA RCA. Abstract landscape paintings, fine art photography. All images and text copyright the artist.