[looking in, from the outside]
…
[stacked fragments]
…
[wall fragments]
…
[intaglio print]
…
[intaglio print]
…
[blind embossing on paper]
…
[intaglio collagraph prints]
…
from the imperfect/circle project: liminal, on the brink, success, failure, beautiful, ugly, perfect, flawed, incomplete, whole, insignificant, valued, sacred, discarded, lost, saved, broken, mended. strange relics…
…
this is one of a new series (small relics). there were originally twelve relics but now only eleven remain (this may be significant). these are close-up views of one fragmental, encrusted relic in greyscale, which reflects my concerns in the making of them…
this is part of the imperfect circle project idea begun sometime in 2010, as one means of breaking away from the format of the square.
this circle project was resurrected at easter. one could call this work quite sculptural, but it is not a sculpture, it is an object, or the fractured remains of one. i have enjoyed my virtual visits to the british museum. if i have the good fortune of selling this piece then maybe i should actually go to london for a day out, as ruralism is slowly getting to me…
a relic is an object or fragment from the past which has significance, meaning or value, sometimes religious. finding or unearthing fragments implies something was hidden or perhaps abandoned. fragments are retrieved and they can sometimes be pieced together to be viewed as nearly whole again in a new context – but the complete story might never be revealed. so, one might be tempted to create new stories to fill in the gaps…
these relics have come to symbolise many things, the significant events which influenced my thoughts at the time, and the unique circumstances which the passage of time had offered them. they have become small reminders of the actions of the past, rediscovered and re-evaluated in the present. if i am the original creator then i am at liberty to validate them as meaningful objects – but perhaps i am being intentionally reticent here as a means of defence…
there are some material & ecological resonances with the series of small papier mache vessels i created earlier this year…
alongside the circle prints/experiments from last year, i have also unearthed some (possibly) related sketchbook drawings, doodles and even some etchings (connecting the past to the present)…
here are some related words that started off the imperfect circle project: liminality, on the brink, breaking point, success, failure, something, nothing, beautiful, ugly, perfect, flawed, forgotten, remembered, incomplete, whole, insignificant, valued, sacred, discarded, lost, saved, broken, mended…
detail of (a) broken (relic), mixed media, 2011
…
…
broken
…
artworks exhibition, blackthorpe barn, rougham, suffolk, 10 september to 2 october 2011 (10am – 5pm, open daily)
Artworks is a professional art group of thirty contemporary East Anglian artists. Each September we have an annual exhibition at Blackthorpe Barn in the heart of rural Suffolk.
…
some new work also currently on show at Reunion Gallery’s ‘Refresh’ tenth anniversary exhibition on now and until 22 Oct 2011
…
[farmscape i 2010, mixed media on canvas]
[farmscape ii 2010, mixed media on canvas]
[farmscape iii 2010, mixed media on canvas]
[farmscape iv 2010, mixed media on canvas]
[farmscape v 2010, mixed media on canvas]
[farmscape vi 2010, mixed media on canvas]
[farmscape vii 2010, mixed media on canvas]
these paintings are all 60cm x 60cm, unframed…
it was time to see some of the abstract farmscape paintings in the altogether – and some words, quoted from previous entries in my online journal…
the broad idea behind the farmscape paintings? that they remodulate, within a very reductionist format, both the farmyard and the fieldscape, a mathematical sense of order with an organic surface, as a means to challenge or recontextualise ideas of a pastoral vision of the rural landscape. i actually view them as another form of blind paintings, the images that a blind person might perhaps conjure up in a touchy-feely world devoid of spatial perspective…
the farmscapes are meant to be very cool, sparse paintings, hinting at enclosure, mechanisation, rural industral landscapes, reducing the pattern and structure of agricultural land and its outbuildings to an economic geometry…[03.08.09]
another farmscape [working title].. there is no reason to hurry.. like the mould and decay they portray, it takes time.. and i am a slow painter.. [18.08.09]
the farmscapes are developing slowly, as i will wait for the cooler hues of autumn and winter to pervade my colouristic senses.. at present they look bereft of true colour – dark olive green, slate grey, ashen blue, taupe.. [25.08.09]
with a cooler palette of metallic greys, bronzes and blues… [18.02.10]
agriculture depends upon the seasons, and nature through its cyclical changes imparts its own identity on an otherwise structured landscape… [18.02.10]
there is a reference to landscape in colour and format, a modulation of stripes hint at the structures of agriculture – a farm (buildings) and its landscape (fields) distilled into one work, when viewed in both the horizontal and the vertical… [28.02.10]
the farmscapes have their obvious mechanical, minimalist geometry, but on some days I question their formality, they seem too detached from their source…. [08.02.10]
this led me to research the origin of the word farm, which as a verb has only been in use since the 19th century, the noun farm derives from the Latin firma meaning ‘fixed payment’ (from the Latin firmare) denoting a lease of land, later specific to agriculture… firmare also leads to the word firmament, a tangible expression of the skies or heavens above… [03.08.09]
the landscape of East Anglia, broadly-speaking, with its patchwork pattern of arable fields and reclaimed fenland, especially when seen from above, has all the obvious markings of a rural landscape shaped by man – a factory without a roof… [18.02.10]
on twitter, if you like...
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abstract photography art for sale artist studio art trail artworks clouds collagraphs colours decay drawings edgescapes elements environment etsy exhibition farmscapes haiku i-cons ideas inspiration intaglio landscape large paintings philosophy photography poem poetry printmaking salthouse art exhibition saltscapes sketchbook sky small abstracts on canvas suffolk surfaces textures travel trees wabi sabi water winter works in progress works on canvas works on panel zen
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318 posts
118,441 words
1566 images
A Touch of Frost @ Reunion Gallery
29 Oct - 24 Dec 2011
Christmas Exhibition @ Harleston Gallery
1 - 24 Dec 2011
Reunion Refresh @ Reunion Gallery
5 Feb - 22 Oct 2011
ARTWORKS 2011 @ Blackthorpe Barn
10 Sept - 2 Oct 2011
HWAT 2011 (guest artist) @ Harleston Gallery
18 June - 11 July 2011
Six Abstract Painters @ Halesworth Gallery
28 May - 15 June 2011
Bumper Xmas Art Show
5 Nov - 31 Dec 2010
COAST Cromer Arts Festival
23 - 31 Oct 2010
ARTWORKS 2010 @ Blackthorpe Barn
11 Sept - 3 Oct 2010
Breaking Ground @ Harleston Gallery
26 Aug - 25 Sept 2010
Rebirth @ Art1821 Gallery
28 July - 8 Sept 2010
Textures, Traces & Elements @ Beyond The Image
2 July - 1 Aug 2010
Elements: Man & The Environment @ Forum Norwich
26 Jan - 15 Feb 2010
2010 Norfolk Contemporary Art 10 @ Forum Norwich
2009 Salthouse 09: Salt of the Earth
2009 Eastern Open 09 @ King’s Lynn Arts Centre
2008 Edgescapes @ Centrepoint, London
2008 Norfolk Contemporary Art 08 @ Forum Norwich
2008 Go Elephants! The Forum Trust, Norwich
2007 Eyestorm Design
2006 Winter @ Buckenham Galleries
2006 Vivid @ Reunion Gallery
2006 Suffolk Showcase @ Bury St Edmunds Gallery
2006 Colour Values @ Halesworth Gallery
2006 Eastern Open 06 @ King’s Lynn Arts Centre
2006 Byard Open @ Byard Arts, Cambridge
2005 Artsway Open 05 @ Artsway
2004 Land and Light @ Wingfield Arts Centre
abstract paintings on paper,
direct from the studio,
ready to frame...
every little helps, thank you...
images & text © jazz green 2005-2011
all rights reserved
jazz green is the original author of all content published on this blog (except where otherwise credited).
please do not copy, reproduce, redistribute, republish or otherwise reuse any content from this blog without the artist's permission.
