Jazz Green : Artist Journal

Posts tagged ‘hedgerow’

an altogether more natural artistic intervention in the landscape -  the somewhat startling sight first witnessed on a sunday drive to the supermarket – a short stretch of rambling hedgerow wrapped in a fine, gossamer grey web. i passed the spot on two further occasions, and on the third drive-by pulled over to take a closer look… (photographs taken with a mobile phone)

i think it may have been a hawthorn or perhaps a spindle or elder bush but there was really nothing of it left, just a skeleton… cautiously peering into the faintly spooky, sticky mesh of fibres i could see hundreds of off-white, wriggly things…

i later googled caterpillars and webs and ascertained this was a colony of ermine moth larvae or caterpillars (later to become ermine moths) and they can completely envelop a tree or a shrub to keep predators from attacking their growing colony (which here must amount to many thousands of soon-to-be caterpillars!). i discovered a similar infestation has occurred in a public park in yorkshire… maybe it’s the prolonged spell of dry weather…

quite fascinating and yet mildly frightening in a way too, alluding to a small act of god’s damnation, a biblical allusion to the great plagues of egypt, or nature just proving its powers again – we are all doomed!.. but i think i’ll let you decide…

an obvious art-historical reference sprung to mind – the wrapped trees of christo & jean-claude

wrapping up the landscape, here looking especially marvellous in the early morning (or is it evening?) light…

Christo and Jeanne-Claude, Wrapped Trees, Fondation Beyeler and Berower Park, Riehen, Switzerland, 1997-98
[Christo and Jeanne-Claude, Wrapped Trees, Fondation Beyeler and Berower Park, Riehen, Switzerland, 1997-98 (Photo: Wolfgang Volz) © 1998 Christo]

the trees still look ghostly but seem alive (this is winter), with the appearance of fluffy clouds that have just landed or are about to take off, the trees not tightly bound or swaddled into submission as other artists have done…

Christo and Jeanne-Claude, Wrapped Trees, Fondation Beyeler and Berower Park, Riehen, Switzerland, 1997-98
[Christo and Jeanne-Claude, Wrapped Trees, Fondation Beyeler and Berower Park, Riehen, Switzerland, 1997-98 (Photo: Wolfgang Volz) © 1998 Christo]

curiously, it was about this time last year that i chanced upon or found some found or readymade art in the landscape (albeit of a humanly-constructed kind) – what is it about the month of may, i wonder?

ever increasing circles

March 9th, 2010

Some recent printmaking experiments – intaglio prints made from some worn and discarded sandpaper discs that I have been collecting for a while.


[prints, proofs and other experiments on the wall]

Rather than retaining their perfectly circular shapes, I have instead been tearing and distressing the paper edges, as I print and reprint the proofs.


[eroded sandpaper used as a printing plate]

I also wanted to pursue the idea of the imperfect or broken circle, or with parts missing or two halves that don’t quite match – cracks , fissures, fused joints.


[detail of embossed surface textures]

Most of these first experiments are printed on white drawing paper, some are on Hahnemuhle, some on Khadi. I also tried some viscosity printing – a technique that enables you to print two, three or even four colours in one go – it requires more prep work but the results are immensely textured and tactile – and even the crumpled paper discards have visual appeal. Most of these initial trials will be heading for the collage drawer…but I have some heavyweight paper set aside for the next stage of printing…


[crumpled inked paper]

Thinking back to the earlier intaglio collagraphs on paper (on canvas), yet again I didn’t want to end up with a flat print, so I erased the evidence of the plate mark or edge by trimming some of the proofs, giving the print some potential as a sculptural form rather than a material mark on paper.


[more embossing textures]

During this time, I have been pondering on (or should that be inspired by?) the earth’s shifting tectonic plates and the so-called ‘ring of fire’ (according to scientists, Concepcion city has moved ten feet to the west since Chile’s earthquake), to the micro-ecologies of lichens, my collections of striated beach pebbles and hag stones, the geometric pattern on a dinner plate, even an abandoned bird’s nest that fits in the palm of my hand, and the strange fruit encountered in the hedgerow…


[lichens, found on churchyard gravestones in Suffolk]

striated beach pebbles
[collection of striated beach pebbles]


[pebbles with holes; hag stones]


[Barbara Brown dinner plate]


[a tiny bird's nest]


[strange fruit in hedgerow]

While printing some of these collagraphs (if printing from sandpaper comes under that category) I heard on Poetry Please (on Radio 4) the poem, Try to praise the mutilated world by Adam Zagajewski … (but I am sure some of its depth is lost in translation)…

Lastly, I have been accepted as a new member of Artworks. Established in 2000, Artworks is a dynamic group of thirty contemporary East Anglian professional artists working in a range of styles and media, some with national and international reputations. So, I am looking forward to the new connections and opportunities that being a member of Artworks will bring into my creative life.

walking, in winter, wander land

December 23rd, 2009

went on a walk today; about seven miles, there and back..

snow-twigs-tree

depth of field.. the silhouettes and apparent shadows of branches of an alder tree..

snow-field-hedge

neatly sheared but bare hawthorn hedge..

snow-field-maize

snow-covered ploughed field with quadrangle of golden maize left fallow..

snow-ditch-dyke

view through a gap in a hedge, a ditch (or dyke) gleaming copper in the low lying sun..

just a reminder.. of my little art giveaway..