Jazz Green : Artist Journal

Posts tagged ‘grey’

more cloud gazing this week, torrential rain all day tuesday (a typically british summer’s day) – this was the view from the window at about 6pm…


a room with a view

i hadn’t really noticed how prominent these power lines were before; my days must be slowly draining of any meaningful structure if i get distracted by this visual discordance with nature’s billowy curtain… today when i awoke, i did, for a brief moment wonder what day it was, whether it was indeed saturday already, and that a day of to-do-tasks might await me, tasks which fuel so little enthusiasm as to be remotely filed and archived for just such rainy days

i am now aspiring to be a full-time, working artist after receiving written confirmation of the non-continuation of the day job contract (a sad sign of the times) – perhaps it is for the best, every cloud has a silver lining, or is that silver-toned..? in the manner of the featureless, grey days i have been feeling somewhat melancholic and the vast canvas of the sky seemed to be a reflection of the reality of recent events…

i have an appointment next week to get some business advice and hopefully formulate a plan… thus, i have not been motivated to paint much, well perhaps for an hour or so, here and there, when the mood takes. it seems too self-indulgent to ‘just paint’ when real-life concerns pile up like the laundry, and then there has been the issue of the quality of daylight

here are a couple of close-up images of lichenscape II in progress, taken earlier today…


detail of the surface of painting, lichen on stone textures

i had a rash moment of destructive thinking when evaluating this canvas (perhaps inspired by these photographic reframings, seeing paintings within paintings), deciding that i might cut up the canvas into nine smaller ones – the lack of a decent-sized space to work in is almost unbearable at times…

i have found that in attending to these two large canvases (the lichenscapes) it has clouded my creative process – i realise that i am trying to condense into these two paintings a subjective concern which would be better pursued over eight or ten (or even more) works… myriad other thoughts (too nebulous to be proper working ideas) also run through my mind, and then i have to remind myself to just focus


another detail of the textured surface of a painting

yesterday evening i attended the private view of the current exhibition rebirth. lorraine cooke, the curator, has done an amazing job in bringing this show together, i feel most privileged to have some of my work included in it. i realise that i am still reticent in ‘working‘ the private view scenario, as i slowly perused the exhibition – this is probably due to a) being very slight and thus am less ‘visible’ in a busy gallery crowd, and, b) a (now) love/hate relationship with the new dr marten boots; i walked to the gallery from the train station and worked up some fine blisters – such small injuries can really be the breaking of the spirit.

i also met and chatted with the artist veronica grassi – she has some quite beautiful textural, sculptural pieces in this exhibition. barbara leaney’s dogwood sculptures are also quite spectacular, as are the smaller, detailed works of the contemporary japanese artists included in the show. i urge anyone passing through the fine city of norwich to go and see the exhibition at art1821 – it is open until 8th september 2010 – you can also read more about the rebirth exhibition on art 1821’s website

to further the idleness of my daily observations, may i introduce my humble sketching kit (i always travel light, a habit instilled in me since inter-railing across europe)…


my winsor & newton sketchers’ box of watercolours


a tiny tiptree jam jar (for water)


an assortment of sketching pencils, mostly derwent & caran d’ache

and a composite image of the sketchbookiness of the last few days, 21-29 july, 2010…


skies and clouds sketches


monday, mid afternoon, looking east across fields towards marshes, high up in the sky, grey centre… in graphite, pencil and watercolour…


wednesday, early afternoon… looking east, cooler, bright, clouds moving fast… in graphite and pencil…


thursday, late afternoon, slim, dark clouds moving laterally, about 5pm…

it is becoming slightly obsessive; i have a mild desire to master the morphing art of the skies…

and i penned another haiku poem, or an ode to a cloud

a cloud
tarnished silver
darkened the weeping willows


i am thinking of joining the cloud appreciation society, whose pledge is to fight the banality of blue-sky thinking…

click here if you would like to see my cloud drawings animation from last year, the art of idleness

last chance to seetextures, traces & elements at beyond the image gallery – the exhibition closes at 4pm on sunday 1st august 2010.

The real voyage of discovery consists not in seeking new landscapes but in having new eyes.

Marcel Proust

from white snow to grey earth

January 12th, 2010

for a few days, i found the transformative power of the bleak, white wilderness both beguiling and oddly unsettling, thinking for a moment (as i observed and sketched) that it could stay this way for a long time, that i must re-adjust my vision and any perception of colour, in preparation for the colourless days ahead.. and the dazzling whiteness seemed similar to the glare of a desert landscape, a neverending space, and yet disorientating in its cool erasure of the usual geography, the familiar blurred, and buried…

the snow had swept up into little scarp-like drifts along some of the high ground…

and a back road meandering between the flat fields slept soundly beneath a clinical white blanket of snow, comforting or suffocating…

i made my small mark within the white landscape, creating a path i would not otherwise make..

and then the true greyness of the landscape emerges, sodden and soiled, and ragged at the edges, but marking a clear road ahead…

days of rain

September 2nd, 2009

the creation of a painting, edgescape:meld 2008…

abstract painting - starting with primed canvas
[stretched canvas, with beginnings of surface texture.]

abstract painting - adding washes of colour and creating surface textures
[semi-transparent washes, scrubbed in and dripped, dark blue grey..]

abstract painting - more transparent glazes and thin layers of colour, some removed before fully dry
[lilac and grey..]

abstract painting - adding more colour, blue grey violet
[violet and blue grey, blurred and blended before fully dry..]

abstract painting - muted colours of rain
[more vertical washes and layers in upper half, lower part was scumbled and stippled with a mix of violet, ultramarine and raw umber..]

abstract painting - adding more layers of muted colour
[thinner layers, lilac pink, blue grey, pale green, trying a achieve a more subtle merging]

abstract painting - merging layers
[areas reworked then'burnished' back, to achieve more subtle blurring of layers..]

the painting meld – i now call it meld/rain – was an attempt to explore the merging of atmosphere (the ethereal) and land (the earth), about vision, lucidity, depth of field, the horizon, perceptions of surface and distance..

abstract painting - showing textures
[detail of surface...]

this detail of the painting meld shows the centre section… meld is a comparatively new word in the English language, a merging of the words melt and weld, both a result of the application of heat, both sculptural, but with contrasting outcomes, in common usage since the 1930’s…

meld was completed between the months of January and March 2008 and undoubtedly reflected a certain melancholia felt at the time… dull grey light, days of rain and a dark studio room make for slow, sombre paintings.. …

for an exhibition catalogue, i said of this work:

‘meld’ evolved from an investigation into the history of eroded surfaces. Within the textures of patina and decay I saw parallel landscapes, evoking the changing weather and seasons and the effects of natural phenomena such as drought and flood, symbolic of a state of impermanence..

view other paintings in the edgescapes series…