Jazz Green : Artist Journal

Posts tagged ‘green’

on going green, again

August 15th, 2011

introducing three new small works on wood panel, entitled (out of the) wood/shed I, II and III…

for a little intrigue & mystery i thought i would covertly spy on my own art…

trying to get a closer look at the intricate works of green… what are they and how is it done?

well, from wood to pulp to paper to pulp to wood, with an etching tool, some oil pigment and a little linseed oil… there is something of the aesthetic of decay about them but we might also call them modern abstract paintings for now… it seems that all of my drawing in the woods influenced the making of these works, albeit in a less than conventional way…

[tree bark, sketchbook, drawing in the woods, september 2009]

this is an experiential walk into the woods (i don’t recall much of the sky)… i went into the woods to escape and be immersed… it is really about life within life, small, transient, fleeting, the slowness of process, a quiet reminder of the nature of things… and it seemed natural to work with just wood and paper…

wood mould bark decay green

i am just looking at the edges (again, an obsession of mine)… and wondering if the sides should be painted white to contrast with the dark wood wall (on which they will be hung)… or perhaps matt black? or the deepest, darkest green? (but no tarnished gold this time)…

woods bark decay green

it’s a many green textured and decaying thing (again)… green can be a difficult colour to work with but i rather like it – at one very basic level, it signifies life, change and renewal… i like to think that i make art that expresses what it ‘feels like’ , as the experience is not a perfect picture, it is a personal memory born out of many psychological factors, beyond the visual…

wood shed decay green bark textured abstract paintings triptych on panels

(out of the) wood/shed I, II and III, 2011, paper and oil on wood

these three small paintings (or works on wood) will be exhibited along with seven more works (of mine, along with many other works by the other paticipating artists) at the forthcoming artworks art group exhibition at blackthorpe barn in central suffolk, which runs from 10 september to 2 october 2011 (10am – 5pm, open daily)…

people i know often tell me that they read this ‘blog’ and so if on reading this you have not been to an artworks exhibition before and would like to attend the special private view evening in early september, then please email me and i will make sure that you receive an invite. thank you to all those that have shown support for my art, especially over the last few difficult months – it means a lot.

this will be my second year exhibiting with the artworks group and this year i will have ten small works in the show. i am looking forward to the opportunity of showing some of my art in this popular annual art exhibition.

wood shed decay green bark textured abstract painting on panel
[detail]

artworks exhibition, blackthorpe barn, suffolk, 10 september to 2 october 2011 (10am – 5pm, open daily)

Artworks is a dynamic professional art group of thirty contemporary East Anglian artists. Each September we have a showcase exhibition at the historic Blackthorpe Barn in the heart of rural Suffolk.

Continuing with my virtual travels… I have been using colour, google maps and other tools to determine cultural or geographical locations to visit. These works are becoming small mementos to those virtual journeys – travelling around the world in one hundred abstracts…

I have selected these five abstracts as part of my wall exhibit for the SOS exhibition next week… From left to right: kokoda, siam, maroc, cretan and suomi… all are hand-coloured intaglio collagraphs on paper on canvas…

Another ‘one hundred’ has been partly inspired or perhaps just consolidated by the first chapter of the series, A history of the World in One Hundred Objects – fascinating, as it is a radio programme, and so naturally conjures up images that may be quite different to the reality.


maroc, 2010

Some images to illustrate – too  travel-weary to articulate much in words…


terraced fields and trees  – Moroccan landscape…


Marrakech market place – Moroccan souk…


wall and door, Marrakech

I would quite like to visit Morocco one day – but musn’t grumble, things could be worse, when one door closes…

it’s a green thing

April 25th, 2010

I’ve completed my second day at the East Anglian Artists’ group  Artworks spring exhibition (the final day) – this time as the artist demonstrator. The first part of the morning was very quiet (only the very keen visit a gallery at eleven on a sunday), so I took the moment of calm to record my little set-up in the corner of the gallery…


A non-portrait of the artist at work…

I was just doing a little monoprinting (aka monotyping, both terms seemingly interchangeable), a technique which is as much painting as it is printmaking. I decided to downsize my art materials for this event and only took the colours that I have in handy, small tubes, the ones that I find deep within the bargain buckets of art stores – hence a very limited palette – two browns, a green, process cyan, yellow ochre and a greeny-browny-grey…

Below are some of the monoprints, at various stages of printing… the technique is very simple and very adaptable – roll, paint, wipe, smear, scrape, inscribe… and then press the paper onto the surface (in this case, glass); you can also use surface pressure (a pencil for example) on the back of the paper to create interesting marks and textures… repeat the process as necessary… here, I used acrylic paints because of the reduced set-up, but oil-based inks are extensively used…

some monoprints pegged up to dry…

The afternoon was much busier and more engaging. I met and chatted to quite a lot of people, including someone who plans to bid on my work in the Art Auction next week… When I later arrived back, I pinned up twenty beginnings of something new, and perhaps unsurprisingly a green theme emerged… not sure whether to tear these down into smaller works, before progressing further with the variations on green…

Here are some close-ups, showing some surface textures…

Somebody asked me how many layers I might add before they are deemed to be finished – it’s usually more than ten but probably less than twenty – but I am not counting… and inbetween there will be some surface erasures

Should I speculate publicly at this stage what I might do next with these works on paper? I contemplate (or rather procrastinate upon) doing certain things, but then don’t pursue them, then later I will discover that another artist has actually done it… meaning it’s time to think again

This time, it’s a Jazz Green thing…

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The website of British Fine Artist Jazz Green MA RCA. Abstract landscape paintings, fine art photography. All images and text copyright the artist.