Jazz Green : Artist Journal

Posts tagged ‘found abstracts’

witnessed in the course of a walk through town yesterday, some freshly discovered or found drawings… please allow me to explain…

the object in question (the receptacle for the accidental, found drawing, the surface, the substrate) is a metal seat or bench, probably made of alluminium, covered in a powdery, black mildew, which made it rather undesirable or unsuitable to sit on, especially if wearing light-coloured, summer attire…

here, in the first snapshot, one can see the pre-formed grooves in the metal seat, which serve to make the metal bench less slippery to sit on but they also echo the slats of a traditional wooden bench, which are further emphasised by the dark, weathered patina of black mildew, here containing the accidental drawing as a series of negative mark-makings between the two sets of parallel lines…

in this second example, the accidental dints and scratches in the metal have been subsequently colonised by the black mildew, forming a positive mark or trace…

and here, in the final image taken, is a more formal composition, zoomed in to accentuate the visual contrast between the parallel grooves and the more free-form, expressive scratches or incisions below… i almost see a signature in the lower right…

now, my only quandary here is, are these just more found drawings or an example of some creative, found printmaking(s), given that the grooves, the engraved marks, the incised traces, those made unintentionally, are later inked in by nature, and the myriad tones of accumulated mould or mildew (seen most clearly in the first image) are reminiscent of a coarse, hand-applied aquatint…

in fact, had i not explained that these are just photographs, one might reasonably conjecture them to be the result of a process of intaglio printmaking, an etching or drypoint engraving…

lastly, the bench also exhibited the usual marks of graffiti, some lewd symbols, words, names and numbers… but these were not so interesting in this context…

The longer daylight hours, as we progress towards midsummer, afforded a few moments early one evening to stop and examine this piece of found sculpture or installation (to add to my image collection) – something I have witnessed being constructed over the last few months. It’s a strikingly robust ‘builders’ intervention in the rural landscape; a construction seemingly put together for only practical purposes, but nevertheless it is visually and aesthetically harmonious, a textural mosaic of corrugated metal sheets… I trust that its collaborators will continue to add to it over the next few months; its future reconfigurement or final deconstruction, when viewed over the course of days or weeks, will be quite interesting to observe.

On closer inspection, any number of found paintings could be artfully composed with a camera…

all of which refer back to my ongoing  farmscape paintings…

modularity will be my modus operandi…

pirating the caribbean

February 4th, 2010

[Trinidad, mixed media on paper and canvas]

Trinidad has become the working title for this small abstract, as returned by an analysis of colour (read more about my colour values)… the stripes do seem to echo the colours of carnival, and the structures of the makeshift tin and brick settlements or shanty towns of the Carribbean, places which, despite their obvious veneer of poverty, still resonate with a resourceful and determined spirit.

This is the Laventille hills in the Port of Spain, Trinidad.

If one only chooses to see the poverty and crime associated with these supposed slum settlements of the Carribbean, then one would also miss out on witnessing the cultural homeland of carnivalcalypso music, and the uplifting beats of steelpan bands…

Back in June 2003, I took this photograph of the neighbour’s old tin shed (which backed onto the boundary of our two gardens). Shortly after, the (then new) neighbour took down the delapidated shed. I remarked at the time that I quite liked seeing the rusty facade of the shed (from my side), to which he replied:  ’ah, you must be an artist’.

However, the neighbour, being a resourceful diy type, re-used what was salvagable from the wreck, and parts of it later re-appeared as a boundary fence at the bottom of the garden. So, I am still able to marvel at the myriad colours of rust in the metal corrugation, a found painting that I can see day after day.

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The website of British Fine Artist Jazz Green MA RCA. Abstract landscape paintings, fine art photography. All images and text copyright the artist.