Jazz Green : Artist Journal

Posts tagged ‘colours’

Continuing with my virtual travels… I have been using colour, google maps and other tools to determine cultural or geographical locations to visit. These works are becoming small mementos to those virtual journeys – travelling around the world in one hundred abstracts…

I have selected these five abstracts as part of my wall exhibit for the SOS exhibition next week… From left to right: kokoda, siam, maroc, cretan and suomi… all are hand-coloured intaglio collagraphs on paper on canvas…

Another ‘one hundred’ has been partly inspired or perhaps just consolidated by the first chapter of the series, A history of the World in One Hundred Objects – fascinating, as it is a radio programme, and so naturally conjures up images that may be quite different to the reality.


maroc, 2010

Some images to illustrate – too  travel-weary to articulate much in words…


terraced fields and trees  – Moroccan landscape…


Marrakech market place – Moroccan souk…


wall and door, Marrakech

I would quite like to visit Morocco one day – but musn’t grumble, things could be worse, when one door closes…

I have been quietly working on more small, intaglio print canvases (if that is not a oxymoron in artistic terms)… Here are some artfully stacked up in the studio…

I have had four of these small canvases accepted for a show in the summer (NCA 2010) – quietly chuffed as I thought at first it would be a risk to submit some lightweight works rather than a large canvas or two, but out of 596 submissions they’ve selected just 69 works for the final exhibition…

I now have to work on my artist statement for the illustrated catalogue… So firstly, what are these little things, how are they made…? Below shows one intaglio print as it is collaged onto the canvas…

They first look like this one, below (printed on hahnemule paper)… I think I will keep this one as a conventional flat print… but the others begin their transition into a more 3D object…

some more prints… decidedly green and grey…

Why prints and not paintings? It has something to do with the initial fabrication of the matrix (and the resulting multiples) which can be subtly transformed each time – altering by sanding, incising, cutting and pasting – so no two prints are the same… and a smooth sheet of paper is infinitely mouldable, thereby the altered print becomes a tactile object… I have been jotting down a few words to explore further my idea of virtual world travels inspired by selected colours (read more about my colour values here)… in turn creating a faux allusion or object, a fragment, symbol, souvenir, memento, remnant, an abstract relic or impression of a location.. I have another twelve or so destinations to explore this week…

I sometimes feel I am just talking to a brick wall… but nature sees every crevice as a potential growing opportunity… yep, I probably do need to get out more…

photo of drain pipe and brick wall with plant growing half way up
[buddleia, brick wall and drainpipe]

photo of with apple tree
[apple tree in city building lot]

As an addendum, I recalled today the time that I sold off the majority of my possessions (the usual bric-a-brac – vintage clothes, lots of kitsch, retro stuff, even two director’s chairs and a fake palm tree) at a Brighton car boot sale, in order to buy a car. I kept back one one thing, Da Vinci’s ‘Mona Lisa’ as a jigsaw puzzle (it was a feat to complete and was suitably framed). It was a trashy souvenir of sorts, a personal reminder of student digs and student days… but very different to the holiday souvenir, one that is manufactured in duplicate to fulfil a desire to take something unique home… most of those also end up at the memorial service to forgotten holidays, the car boot sale…

it’s a green thing

April 25th, 2010

I’ve completed my second day at the East Anglian Artists’ group  Artworks spring exhibition (the final day) – this time as the artist demonstrator. The first part of the morning was very quiet (only the very keen visit a gallery at eleven on a sunday), so I took the moment of calm to record my little set-up in the corner of the gallery…


A non-portrait of the artist at work…

I was just doing a little monoprinting (aka monotyping, both terms seemingly interchangeable), a technique which is as much painting as it is printmaking. I decided to downsize my art materials for this event and only took the colours that I have in handy, small tubes, the ones that I find deep within the bargain buckets of art stores – hence a very limited palette – two browns, a green, process cyan, yellow ochre and a greeny-browny-grey…

Below are some of the monoprints, at various stages of printing… the technique is very simple and very adaptable – roll, paint, wipe, smear, scrape, inscribe… and then press the paper onto the surface (in this case, glass); you can also use surface pressure (a pencil for example) on the back of the paper to create interesting marks and textures… repeat the process as necessary… here, I used acrylic paints because of the reduced set-up, but oil-based inks are extensively used…

some monoprints pegged up to dry…

The afternoon was much busier and more engaging. I met and chatted to quite a lot of people, including someone who plans to bid on my work in the Art Auction next week… When I later arrived back, I pinned up twenty beginnings of something new, and perhaps unsurprisingly a green theme emerged… not sure whether to tear these down into smaller works, before progressing further with the variations on green…

Here are some close-ups, showing some surface textures…

Somebody asked me how many layers I might add before they are deemed to be finished – it’s usually more than ten but probably less than twenty – but I am not counting… and inbetween there will be some surface erasures

Should I speculate publicly at this stage what I might do next with these works on paper? I contemplate (or rather procrastinate upon) doing certain things, but then don’t pursue them, then later I will discover that another artist has actually done it… meaning it’s time to think again

This time, it’s a Jazz Green thing…

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The website of British Fine Artist Jazz Green MA RCA. Abstract landscape paintings, fine art photography. All images and text copyright the artist.