Jazz Green : Artist Journal

All posts tagged with... ‘coast’

January 4th, 2013

it’s a new year and i have a new desk diary, but the year ahead is looking quite empty…

sketchbook diary drawings

the first (graphite) drawing was done on the day after boxing day (it rained most of the day).

on the first two days of the diary (28th & 29th december, below) i was trying to visually recall the flooded marshes and meadows, which on a boxing day walk were quite mesmerising to see, sparkling in the sun like mirrored trays, with partially submerged trees and bushes looking like decorative ornaments.

my memory of early new year’s eve is driving through torrential rain, every now and again through deep puddles which stretched the width of the narrow country road, throwing up sheets of black water, and the momentary sensation of water-blindness, as if under a huge crashing wave.

sketchbook diary paintings

i like this desk diary; it is a page-a-day appointment diary, including saturdays & sundays (which is what i wanted). however, the paper is very thin and it doesn’t take paint very well – so i may have to revert to some simple drawing & doodling with a pen. i was intrigued to use a regular diary as a sketchbook after seeing an Edward Bawden diary (which is suitable for use in any given year, having only the days of the week printed in it) at The Fry Art Gallery in Saffron Walden.

i still like the conveniently compact nature of my hard-backed A6 notebooks/sketchbooks, but painting & drawing within the pages of a regular day-to-day diary will obviously result in more date-specific references to thoughts & musings on art or related situations and events, over the course of a year. i also want to purge the ‘need’ to take photographs as a means of memory, and instead write and draw more about things, as and when – but perhaps the pages aren’t big enough for pictures and words.

having said that, i did take a photograph on new year’s day.

suffolk thorpeness beach

new year’s day at thorpeness beach, photograph taken with an unfashionably old mobile phone – and #nofilter!

the north sea was curiously calm that day, like a vast lake, an unusually mild air with no discernible sea breeze, barely any foam fringing to the gently lapping waves breaking on the shore, and the soft pink clouds serenely floated by – it was really rather lovely.

on another day, a brisk walk along aldeburgh beach was rewarded by fish & chips in the company of seagulls, and on the drive back, as the bright afternoon light faded into a more sombre and sullen grey, the opportunity to take a quiet stroll at sizewell beach, a place which has a real atmospheric ‘buzz’ about it..!

suffolk beach pebbles

i found two more ‘J’ pebbles, and a capital ‘A’. days out at the coast are always revitalising, so one new year’s resolution might be to make more time to see the sea more often (and maybe take the diary/sketchbook)…

May 3rd, 2012

more exhibition news: i have had two more of my earth/bound series of works selected for a new curated art exhibition, feeling the pressure at Rhyl Arts Centre in Wales.

these are the exhibition invites, which have a curious printed lustre, looking a little like smooth granite or stone & gold on a tombstone. i do not know if this visual aesthetic interpretation was intentional, but it has a slightly apocalyptic tone – and they shimmer and change with the light…

i also had to write about one hundred words about my art in the exhibition. in this regard, i always find myself focusing on the externalised factors (the environment) which influence the making of my art. there are other factors which are more personal to the artist, as if one’s experience and perception of the environment is merely a conduit to exploring feelings about other things… feeling the pressure…

the two artworks i have in this exhibition are earth/bound i and earth/bound vi; these sculptural reliefs are for sale in the exhibition (no pressure). here is a photograph of them, which i took just before i packaged them up and sent them to the gallery at rhyl arts centre.


[earth/bound i & vi, 2011, 30cm x 30cm x 5cm]

earthbound exhibition text

read a little more about the beginnings of the earth/bound series here.

it was earlier in the year when i saw the ‘open call’ for artists to apply for feeling the pressure and i decided to submit an application. i was pleased to have some of my artwork selected for this exhibition as it is a new audience and context for my art.

earlier in the year (or maybe it was last year) i said that i would focus on exhibitions which seemed most appropriate for my art.

the other ‘open’ art exhibition i applied to this year was on the map at hastings museum and i was pleased to have two of my artworks selected for that exhibition too. read more about the on the map art exhibition here.

the art exhibition feeling the pressure runs from 
5 may to 2 June 2012 (more details about the exhibition are below).

UPDATE: there’s a slideshow of some of the works in the exhibition on the BBC news website

Feeling the Pressure

Climate change is the broad subject of this art exhibition, comprising work selected from an open call to artists across the UK. Rising sea levels, drought and over consumption in the world are just a few of the issues that artists have chosen to highlight in Feeling the Pressure, often with a touch of humour!

A prize of £500 is also being awarded, and the exhibition is sponsored by TEGNI and NORTH WALES HYDROPOWER, who are working together to provide sustainable energy for future generations.


feeling the pressure art exhibition poster

[feeling the pressure, exhibition poster]

The artists exhibiting in Feeling the Pressure are:
 Sonja Benskin Mesher, Mary Conway, Sarah Durham, Simon Farid, Helen Snell, Ian Brown, Stuart Carr, Martgaret Tietze, Pat Thornton, Tim Pugh, Emma Louise Preece, Simon Collinge, Mark Sheeky, Jon Kehoe, Jazz Green, Dorothea Reid, Lisa Carter, Tara Dean, David Rasores-Parry, Anne-Mie Melis, John Clarke, Sue Clarke, Lin Cummins, Simon Job, Andy Owen, Harriet Challis–Jones, Jane Glennie, Clarrie Flavell, Jim Taylor, Esther Tew.

Feeling the Pressure
5 May – 2 June 2012
Rhyl Arts Centre
Church Street
Rhyl
WALES
LL18 3AA

Exhibition open: Monday to Friday 10am – 5pm; Saturday 10am – 12.30pm

View location on Google Maps

April 2nd, 2012

a few days back i attended a one day conference at the UEA (university of east anglia), art and the sea. there was an engaging and diverse mix of contributors in the day’s programme, from scientists to museum curators, and artists.

thinking about the effects of the sea on the coastline got me thinking again about the small experimental water paintings i had begun last year (and what i was trying to explore)…

and also these, my after the storm’ wabi sabi relic bowls

[ashore, or washed up...]

and an earlier piece of work from 2006-2007…

[a view of covehithe cliffs, new year's eve, 2007]

many perspectives of the sea (specifically the east coast) were analysed, discussed and reflected upon: symbolism in art and literature, mythology, ancient settlements, archaeology, heritage & social history, oceanography, mapping and geology. interestingly, some current research into the changing coastline is using art (mostly paintings) as a key measure of evidencing change. there was also a presentation of a research paper on JMW Turner’s relationship to the sea which was also very engaging (if not provocative in its assumptions about Turner’s life experiences), and the day concluded with some contemporary artists making brief presentations on their work about the coast.

needless to say, climate change, sea levels, coastal erosion and the environment were at the forefront of the discussions & i left the conference in a contemplative frame of mind – and with many pages of my sketchbook filled with many quotes, notes, drawings, diagrams & doodles documenting the day. there was quite a lot of literature to take home too…

just a week or so before i had spent a day at the coast, once again gazing up at the ever-eroding cliffs…

and just below the line of this photograph, i spied a thin stream of brightly-coloured blue-green stones or pebbles, so I scrambled up the slope and gathered a few into my hand – and with a unbridled feeling of excitement, holding something which had not been ’seen’ for centuries. i do not know what these small rock fragments are but I considered they must have some copper mineral in them…

[green treasure]

a while back, i took some photographs, close ups, of the surface of one of my earth/bound paintings, using a torchlight – and now, when i look at the pictures i can see a volcano (i think i may have broken the ‘child’s’ microscope, trying to adapt it…)

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The website of British Fine Artist Jazz Green MA RCA. Abstract landscape paintings, fine art photography. All images and text copyright the artist.