Jazz Green : Artist Journal

Posts tagged ‘art for sale’

this is my first red chilli pepper of the summer – things are very slow to ripen this year… these are a variety called long joes and can grow as long as a pencil but they tend to curl up in the process…

soon i will have to bring the chilli plants indoors; they make the most attractive houseplants and will continue to fruit and ripen until november… the only problem is i still have a heap of dried chillies from last summer…

so, i made another batch of my not-yet-famous rothko red soup using some of the aforementioned dried chillies and a sudden glut of ripening plum tomatoes (the green ones were used to make a chilli-spiced chutney) and then i decided to make a small batch of chilli marmalade. i added fourteen finely chopped dried chillies to the preserving pot and ended up with seven small jars of marmalade – so, that’s two chillies per jar…

i have just tasted it… at first there seems nothing unusual, there is the very sweet tang of orange and then, as one bites into a slightly redder shred of marmalade, the chilli begins to bite – this will surely bring a ready-brek glow to the cooler autumn mornings, especially when spread onto some homemade chilli bread toast…. actually, i find chilli bread makes a boring cheese sandwich quite lively… i even made a fruitcake with chilli and ginger… anyone not partial to chillies is unlikely to warm to my style of cookery – ie, any cunning means to introduce a little chilli into a recipe…

of course, all of this chilliness has nothing to do with art, except perhaps the mild reference to rothko…

it has got slightly chillier hasn’t it?.. brrrr… so summer is effectively over and one’s thoughts turn to the approaching autumn, to the season of mists and mellow fruitfulness (to quote Keats).i have a little theory about one’s preferences for a particular season – that is, if you were born in the summer months, you will appreciate autumn as it would have been about the period in your development when you became more visually aware of the external world beyond your mother. newborns can only focus to about 12-15 inches enabling close bonding with their mother, but after two or three months their visual acuity quickly develops close to that of an adult’s, along with the development in colour perception..

here are some of the one hundred small abstract paintings on paper, aka the chromatids, chosen for their visual allusion to all things corroded, rusted, earthy and autumnal – my favourite time of year…

these small abstract paintings are currently small art for sale page, but unframed alas..


XX


XXII [sold]


XXXVII


XXXIX


XCV [sold]


XCVI (sold)


XCVII


XCVIII

all eight small paintings at a glance….

a little reminder, the current little art giveaway now closes on 1st october 2010; just register your interest by leaving a comment or if you prefer you can send an email (as with the previous art giveaway)… i’d really like to see more than ten names in the hat this time!

here’a reminder of what you could win – they’re only little textured paintings on postcards but it’s the thought that counts, isn’t it..?


[three postcard paintings]

i had a bit of a spike in visitors to my blog over the weekend – not sure if it is due to the art exhibition that i am currently showing some new work in…

current exhibition: the 11th annual artworks exhibition at blackthorpe barn,  open daily. 10am – 5pm, 11 September to 3 October 2010…

XCIV, one small abstract on paper currently for sale, shown here mounted (matted), in striated colours of deep teal to inky prussian blue, dark aubergine and grey…

from a series of one hundred small paintings started in late 2008…

numbered I to C, aka chromatids, 2008-2009

chromatids: the two strands into which a chromosome divides during cell division; origin, from the Greek ‘khroma’ meaning colour and id (an abbreviation of identity rather than id, of impulse or instinct)..

four more small abstract paintings on paper from the chromatids series..

you can view the most recent paintings for sale online here…

it’s all about sensing & seeing colour…

here are a few more of the small abstracts from the same series, hanging out to dry in the studio…

at the time i had the idea that i would later mount or frame all one hundred of these and exhibit them as one wall-based work…  but, being small works on paper they also suited the idea that i had also wanted to begin selling some small abstract paintings online (via etsy)…

click here to view the remaining small paintings in this series…

my primary aim in this series was to explore visual relationships in both surface texture & colour, and they were created in sequence but on a reduced scale – small, tactile colourscapes or studies that suggest abstract fragments of landscape or colour samples from the environment but are only identified by a reference number, a process inspired in part by the coded synthesis of genetic dna maps and product barcodes…

and here are a few photographs, taken down on the farm

thank you for looking…

aha… if you have scrolled down this far, then may i introduce to you three very small abstract paintings on postcards…

three small abstract paintings on postcards

untitled I, II & III , 2010
wax, bitumen, emulsion & acrylic on paper, mounted onto postcards

i received these back from the little postcard art exhibition at the king’s lynn arts centre – thus, perhaps starting a tradition of giving away these small exhibition remainders – all three are up for grabs, yes absolutely gratis…

to be in with a chance, just show your interest by leaving a little comment below (your contact email is not published or shared but is required to authenticate the comment)…

distinct from my previous art giveaway, this time just ONE WINNER will be selected at random after the closing date of 1st september 2010 to receive ALL THREE postcards…

the winner will be contacted by the email they have provided and will then need to provide the necessary contact information by return for the postcards to be dispatched to them.

thank you for reading and good luck…

on hoping; it’s a pony

June 4th, 2010

it’s been about twenty five years since i decided i would be an artist… twenty five is a relevant number today (wikipedia helpfully defines it as ‘the natural number following 24 and preceding 26‘)…

in the year 2025 i hope i will still be working as an artist, living in a very big house, making very big work in a very big studio, in the country… but things may work out differently…

Zager & Evans – In the Year 2525

In the year 2525, if man is still alive, if woman can survive, they may find…

i have been thinking alot about art, money and really making it as an artist this week (future finances and other ideas)… because my current teaching contract ends in a couple of weeks…

however, i will have some new work in two exhibitions for the duration of  july – firstly, i have had four small works selected for a curated show, NCA2010 @ The Forum, and then there will be Textures, Traces & Elements (with mixed media artist Hazel Bignell & ceramicist Carol Pask) at the Beyond the Image Gallery – which is in the heart of the historic Thornham Estate (a fantastic setting – lots of trees, nature, walks)… but more on those two events nearer the time… sometimes i fancifully imagine that as i write this that maybe some real people will eventually read it out of interest – apparently my blog spam widget has saved me from over 1000 spam comments since November 2009 (when i switched to wordpress)  - but i find just putting up images and text is actually (or will be) quite interesting for myself to read in the future…

in the meantime i’ve decided that i really need to have a bit of a ’studio clearance’ of my recent series of small abstracts on paper, to settle up so to speak… i have to wind down etsy (it is not so good as a selling venue for abstract painters i have decided – well if you are a little British artist on a big American site – having to constantly relist items to get any visibility – the costs really mount up after a while) – and instead focus on doing other things closer to home… but it has been brilliant having some of my small works on paper fly across the little pond…

shown here are twenty of the twenty five abstracts currently for sale, at twenty five (that’s in uk pounds), and are about twenty five in grams (in weight, give or take)… these little paintings work best when seen as part of a series… they still explore my fascination with weathered surfaces (traces of history contained and controlled), but in a more colourful, condensed, ordered and sequential way… please click the thumbnails or scroll down to view more details of these paintings…

Art for Sale
JazzGreen

you can also contact:
contact artist
if you are interested in purchasing any of these paintings directly…

if you cannot see the above grid of thumbnail images (it originates from etsy and it requires ‘flash’ to see them), here are some static images (click to view these paintings larger)…

random reminiscence: i once took a car for a joyride, a toy pedal car that is, a very smart, bright, shiny red car… i was probably about five or six years old and it was the summer holidays as i recall… the car was just parked up (abandoned at teatime) on a lawn outside a large grey-brick house, shaded by trees… i thought i’d take the little red car for a little spin up and down the pavement for a while (a totally irrational act of thrill-seeking) – i think i may even have driven it home, with an unlikely story about just ‘finding it’… it was a very naughty thing to do but it was the most exhilarating drive for a girl; i never really liked ponies…

a pony is a small horse (naturally), but it is also slang for £25 and also cockney-rhyming slang for crap