Jazz Green : Artist Journal

Posts tagged ‘abstract photography’

witnessed in the course of a walk through town yesterday, some freshly discovered or found drawings… please allow me to explain…

the object in question (the receptacle for the accidental, found drawing, the surface, the substrate) is a metal seat or bench, probably made of alluminium, covered in a powdery, black mildew, which made it rather undesirable or unsuitable to sit on, especially if wearing light-coloured, summer attire…

here, in the first snapshot, one can see the pre-formed grooves in the metal seat, which serve to make the metal bench less slippery to sit on but they also echo the slats of a traditional wooden bench, which are further emphasised by the dark, weathered patina of black mildew, here containing the accidental drawing as a series of negative mark-makings between the two sets of parallel lines…

in this second example, the accidental dints and scratches in the metal have been subsequently colonised by the black mildew, forming a positive mark or trace…

and here, in the final image taken, is a more formal composition, zoomed in to accentuate the visual contrast between the parallel grooves and the more free-form, expressive scratches or incisions below… i almost see a signature in the lower right…

now, my only quandary here is, are these just more found drawings or an example of some creative, found printmaking(s), given that the grooves, the engraved marks, the incised traces, those made unintentionally, are later inked in by nature, and the myriad tones of accumulated mould or mildew (seen most clearly in the first image) are reminiscent of a coarse, hand-applied aquatint…

in fact, had i not explained that these are just photographs, one might reasonably conjecture them to be the result of a process of intaglio printmaking, an etching or drypoint engraving…

lastly, the bench also exhibited the usual marks of graffiti, some lewd symbols, words, names and numbers… but these were not so interesting in this context…

I have been playing with a few landscape digital photographs, having not pursued much in the way  of any painting or drawing this week…

A few filters applied here and there… playing with digital effects up to the point of image dissolution… i am interested in the notion of blindness or visual impairment and the many classifications and measures of visual acuity… rarely is someone completely blind… they may have an awareness of objects in space, a perception of distance, or a sense of light in determining day or night time… one assumes that the other senses are heightened in compensation – of hearing, touch, taste and smell..

these images mirror washes of watercolour or sepia ink blots on wet paper… or smoke drawings…

melting…

diffusing…

dissolving…

dispersing…

evaporating…

blindness has also become a metaphor for stubborness, weakness, ignorance or indifference… on not wanting to see… turning a blind eye, having blind faith, going up a blind alley, not listening to a blind word, effing and blinding, it’s so blindingly obvious…

I am not just seeing things; i have some ideas…

I could, in artspeak, say that in these images i am aiming to subvert or undermine a belief that landscape photography is inherently truthful… but when i really think about it, it’s about achieving emotional distance, separation, remoteness, seeking a form of liberation, acceptance, transformative and reflective… of one’s own memory to reality… even a memento mori… but, it seems too reductive and limiting to intellectualise from a distance; art is inseparable from one’s own experiences of life – there are gaps waiting to be filled. these are just my thoughts; here are some from others…

Anselm Kiefer: I don’t paint to present an image of something. I paint only when I have received an apparition, a shock, when I want to transform something. Something that possesses me, and from which I have to deliver myself. Something I need to transform, to metabolize, and which gives me a reason to paint.


Anselm Kiefer, Heavy Cloud, lead and shellac on photograph, 1985

Gerhard Richter: Strange though this may sound, not knowing where one is going, being lost, being a loser, reveals the greatest possible faith and optimism, as against collective security and collective significance. To believe, one must have lost God; to paint, one must have lost art.


Gerhard Richter, overpainted photograph, 1992

Andrei Tarkovsky: Any artist in any genre is striving to reflect as deep as possible a person’s inner world… [to tell] about the inner duality of a human being, about his contradictory position between spirit and substance, between spiritual ideals and the necessity to exist in this material world.

Tarkovsky – Solaris

the local lakes in winter recall Tarkovsky…

on looking, and lichen

December 15th, 2009

is it worth striving for a pure aesthetic in art, an art without social commentary, irony or wit? an aesthetic experience is an object or scene which is pleasing to look at, it appeals to the senses, it intrigues us, its material form or structure is naturally harmonious, it is complete in itself,  we connect with it and it connects with us, it requires a slow, uninterrupted gaze to enjoy the beauty of the moment.

when the object of the gaze has no intrigue or mystery, no complexity, no desire to know more about its form or nature, no need to look a little longer than usual, to learn a little more about its making, then it does not have the capacity to be interesting, or to be beautiful..

artists by their inquisitive nature will look more intensely at things, it’s the primary source of ideas, from looking comes thoughts and responses which inspire ideas, and in the stillness of looking, all manner of beauty can be found.

whether looking closely or gazing afar, time seems to slow down.. a moment of clarity, devoid of practicality, purpose or reason, it offers a sense of existing, of being, knowing without needing to be connected to anything else, it is accepted, and the sensation of looking will live on in the memory..

this could be a beautiful thing, but can it ever be an object or subject of art..?

these recent photographs represent some more of my found drawings or found paintings

[images taken from six gravestones in a local churchyard]

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The website of British Fine Artist Jazz Green MA RCA. Abstract landscape paintings, fine art photography. All images and text copyright the artist.