Jazz Green : Artist Journal

February 8th, 2010

It is very curious where this virtual journey into colour is leading, as every made-up colour combination finds its corresponding place on earth…


Tsavo, mixed media collagraph on paper and canvas


Tsavo East National Park, Kenya  (image courtesy of flickr)

The blue sky and scorched red earth give this vista some aesthetic appeal, but without fauna it looks to be a barren wilderness. I can imagine the occasional roaming herd of elephants emerging from a clearing in the trees, or seeing buffalo drinking at a water hole, but there will also be the parched bones of the less fortunate ones hidden in the scrub, savaged by the lions. This image gives no indication of a highway much travelled by the safari-hungry tourists, although a quick search on youtube returns more than enough shaky videos, with the resident wildlife often appearing less than amused. This is still a hunter’s landscape, of man and beast.


[Tsavo, detail]

I am not sure how long I will pursue this idea, mapping colours to a location, but at the present moment it has its rewards, with the added gratification of getting one’s work out there soon after it is made. These works are very small at 5″ x 5″, and are, in effect little objects (but not objet trouvé), faux tablet mementos to places that I have never visited. The larger canvases (the edgescapes) are distilled vistas of places I have been to, but to me they resonate with more distant and imagined landscapes scarred and ravaged by the elements. The farmscapes have their obvious mechanical geometry, but on some days I question their formality, they seem too detached from their source. Making larger works also takes up all available space, so the work gets restricted by its surroundings and develops much more slowly. I guess that all artists have to deal with those if only moments – of a lack of space and resources. You can adapt your ideas or your work, but there is always a doubt inherent in that decision, in that it is a compromise, not a solution. That perpetual lack of space issue forces the change for now…

February 7th, 2010

weekend motorway drawings, in a sketchbook, postcard-sized..

I don’t usually draw on both sides of the paper, but on this occasion I ran out of sketchbook pages… all observed and memory-drawn while in transit…

February 4th, 2010

[Trinidad, mixed media on paper and canvas]

Trinidad has become the working title for this small abstract, as returned by an analysis of colour (read more about my colour values)… the stripes do seem to echo the colours of carnival, and the structures of the makeshift tin and brick settlements or shanty towns of the Carribbean, places which, despite their obvious veneer of poverty, still resonate with a resourceful and determined spirit.

This is the Laventille hills in the Port of Spain, Trinidad.

If one only chooses to see the poverty and crime associated with these supposed slum settlements of the Carribbean, then one would also miss out on witnessing the cultural homeland of carnivalcalypso music, and the uplifting beats of steelpan bands…

Back in June 2003, I took this photograph of the neighbour’s old tin shed (which backed onto the boundary of our two gardens). Shortly after, the (then new) neighbour took down the delapidated shed. I remarked at the time that I quite liked seeing the rusty facade of the shed (from my side), to which he replied:  ’ah, you must be an artist’.

However, the neighbour, being a resourceful diy type, re-used what was salvagable from the wreck, and parts of it later re-appeared as a boundary fence at the bottom of the garden. So, I am still able to marvel at the myriad colours of rust in the metal corrugation, a found painting that I can see day after day.

February 2nd, 2010

I’ve snatched another title for this piece (and one for the post), again just using my colour values system…


[Tuscany, mixed media collagraph and painting on canvas]

I got carried away, taking these photographs, using some rough-prepped canvases as a backdrop…

As luck would have it, google images returned a suitably idyllic vista as visual reference, a Tuscan sunset

And all this brought back some memories. Although I have never stayed in Tuscany, I once travelled through it. At the age of 18 (although I think I must have been 19 by the time we returned), I back-packed with two other friends across Europe, travelling through Italy by train, stopping off at Milan, Venice, Bologna, Pisa, Rome, Naples (and Pompeii), and then on to the port of Brindisi… I don’t remember the landscape looking like this…

I managed to complete three more of these collagraph canvases today, their titles and back stories to be revealed in future posts. We have had three days of intermittent power-cuts, for no apparent reason, resulting in having to heat water for tea in a pan on the fire and toasting hot-cross buns, which taste so much better in a crisis…

January 28th, 2010

My colour values system, as a means to apply subjective titles to these very formalist small abstract works on canvas (and now, an untested method of contextual research-in-reverse),  has resulted in more virtual travels… this work is subsequently entitled Inca


Inca, intaglio collagraph print and painting on paper on canvas
[click the canvas to view more ...]

My research led me to a site of significant archaeological interest, now known as The Lost City of the Incas, Machu Picchu (or ‘old peak’). Although it is estimated that the site at Machu Picchu was first constructed around 1450, after the rise and fall of the Inca empire (and the subsequent pillaging and vandalism) it was only formally re-discovered as an ancient site in 1911, by the Yale historian Hiram Bingham.

Here is everyone’s favourite tv traveller, Michael Palin, visiting this sacred site… Palin refutes claims that his many years of travelling the globe for tv purposes impacts on the green campaigns of various eco-groups, in that he conversely encourages the would-be-traveller to stay at home and watch from the comfort of the sofa instead… with a nice mug of hot chocolate made with Peruvian cocoa, no doubt…

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The website of British Fine Artist Jazz Green MA RCA. Abstract landscape paintings, fine art photography. All images and text copyright the artist.